Vol. 1 No. 1 (2022): The LBU Review: Summer 2022

The inaugural issue of the LBU Review, an open access journal showcasing some of the best student work across English Literature and Creative Writing.
This issue offers a selection of work from the graduating class of 2022.

Published: 2022-06-28

Articles

A Note from the Editors

Steve Nash, Joanna Hemmings, Mackenzie Woodhouse
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(E)raising History: An Exploration into the Experimental Techniques of M. NourbeSe Philip’s Zong! and Jordan Abel’s Injun Module: Experimental Writing (Level 6)

Joanna Hemmings
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The relationship between myth and reality is both problematic yet essential in understanding literary perspectives of the Northern Irish Troubles. Module: Writing in a Time of Violence (Level 6)

Daniel Fynn
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Discuss Jeanette Winterson’s exploration of sexuality and identity in Oranges Are Not The Only Fruit. Module: Twentieth Century Women Novelists (Level 6)

Daniella Delaney
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How do A Streetcar Named Desire and Glengarry Glen Ross and the social discourses of their time, affect public and private values of society? Module: Modern American Drama (Level 6)

Millie Brown
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Public Values and Private Needs in Machinal and A Raisin in the Sun Module: Modern American Drama (Level 6)

Laura Andrisova
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Dissertation Chapter: Representations of Cannibalism in the Congo Free State Module: Dissertation (Level 6)

Deanna Walsh
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Dissertation Chapter: Dystopian Deities: The Evolution of the Female Archetype: From Greek Mythology to The Hunger Games Module: Dissertation (Level 6)

Sarah Cartwright
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Dissertation Chapter: Wall Street Sons: American Hospitality in H. M. Naqvi’s Home Boy Module: Dissertation (Level 6)

Maryah Noor
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Wide Sargasso Sea: Letters Assignment Module: Postcolonial Writing (Level 5)

John Eckley
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The Cartographer Tries to Map a Way to Zion: Letters Assignment Module: Postcolonial Writing (Level 5)

Lilli Medlicott
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God of Small Things: Letters Assignment Module: Postcolonial Writing (Level 5)

Mackenzie Woodhouse
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What do Romantic poets find when they encounter the natural world and or/natural landscapes? Module: Romanticism (Level 5)

Lawrence Clarke Russam
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How and why does Oscar Wilde subvert ideals of gender in A Woman of no Importance? Module: Nineteenth Century Contexts (Level 5)

Grace Constantine
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Discuss the effects of cross-dressing on the depiction of gender identity in Early Modern drama Module: Early Modern Comedy (Level 4)

Lewis Ashbridge
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A Critical Analysis of 'FUCKING UP ON THE ROCKS' by Sophie Robinson Module: Poetry (Level 4)

Alexandra Thompson
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Contemporary Literature Portfolio Module: Contemporary Literature (Level 4)

Olivia Newby
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Creative Writing

Life Writing Poetry Collection Module: Life Writing (Level 6)

Mackenzie Woodhouse
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Seagulls (from Seagull Harbour) Module: Life Writing (Level 6)

Joanna Hemmings
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The Adventures of Aurelia & Aurora: Perdidas (Selected Pages from a Creative Project) Module: Creative Writing Project (Level 6)

Joana Figueiredo
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California (a poem from the Creative Writing Final Project) Module: Creative Writing Project (Level 6)

Ethan Burke
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Meal Deals and Deadlines Module: Experimental Writing (Level 6)

Alexandra Bailey
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When Five Became Four (A Short Story) Module: Life Writing (Level 6)

Abi Tinker
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Selected Story from Portfolio (Writing Fictions) Module: Writing Fictions (Level 5)

Rachel Wood
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Writing Poetry (Selections from portfolio) Module: Writing Poetry (Level 5)

Tom Sims
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Rishta (A Poem) Module: Writing Poetry (Level 5)

Zara Sehar
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'Mandy' A Short Story Module: Writers' Workshop 2 (Level 4)

Catherine Huitson
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Vol. 1 No. 1 (2022): The LBU Review: Summer 2022

Articles

Creative Writing

Language